“Getaway” is the third and, thus far, remaining movie directed by Courtney Solomon after 2000’s ill-famed “Dungeons & Dragons” film (which one way or the other received two direct-to-video follow-ups) and 2005’s mostly-forgotten horror image “An American Haunting.” His run as a producer is barely considerably extra respected in that you have no less than heard of stuff like “After” and “The Strangers: Chapter 1,” whereas his sequels “Common Soldier: Day of Reckoning” and “The Butterfly Impact 3: Revelations” are, shockingly, not thought of the underside of the barrel.
As for “Getaway,” the script, which is credited to Sean Finegan and Gregg Maxwell Parker, follows Hawke’s washed-up race driver Brent Magna as he is blackmailed by a mysterious law-breaker (Jon Voight, doing his finest model of a stereotypical ’90s Japanese European motion film villain regardless of by no means correctly displaying his face onscreen) who has kidnapped his spouse into finishing up a convoluted theft that requires him to drive like hell. Additionally, “The Child” is there. It is utter nonsense, however in the appropriate arms, it may’ve made for an inoffensive potboiler.
Sadly, almost all of the motion consists of footage captured by low-grade digital cameras connected to Magna’s trip, a Shelby Mustang, after which spliced along with little to no sense of rhythm or purpose. The one exception is the movie’s single-take climax, though by that time your head can be aching an excessive amount of from the earlier hour-plus of metal-crunching, sparks-flying chaos to even admire it. (For the report, the above screenshot is definitely a reasonably correct rendering of what most of this film seems like.)
Because it’s now not accessible, I will finish this text the identical approach I did my authentic overview — by sharing an anecdote about how, when the credit began rolling at my “Getaway” screening, a younger lady who had presumably been dragged there by her boyfriend rapidly stood up and whisper-shouted in what was, admittedly, a mostly-empty theater, “That was SO silly!” Cannot argue along with her there.